Evangelist Suro Nyame has clarified his stance on the recent Freedom Concert in Jamaica, where Shatta Wale performed alongside renowned dancehall artist Vybz Kartel.
While the concert was an exciting event for many fans of Shatta Wale and the Shatta Movement, it was also met with some criticism, particularly concerning Shatta Wale’s song selection and performance style.
While Weighing on the issue on Facebook, Nyame, a staunch supporter of the Shatta Movement, passionately defended the dancehall king.
“Let me tell you, Shatta Wale connected with the audience in ways that many failed to acknowledge. It’s not about sticking to one genre or set of songs; it’s about engaging the crowd and leaving a lasting impact,” Nyame explained.
The criticisms had mostly revolved around Shatta Wale’s choice to deviate from traditional dancehall songs, a style that would have been expected by the Jamaican crowd.
But Nyame was quick to counter those arguments, pointing out that dancehall music, while a Jamaican creation, doesn’t necessarily have to be restricted to traditional tunes.
“Since dancehall music originated in Jamaica, some might think Shatta Wale’s songs should reflect that.
“But, no matter what song Shatta performs, it’s not guaranteed to resonate with every Jamaican audience. He carefully selected songs that spoke to his artistry and unique style.”
Nyame also highlighted a crucial aspect of Shatta Wale’s performance: humility. At one point, Shatta Wale took a knee in a symbolic gesture of respect to Vybz Kartel, an act that many saw as a sign of reverence for the legendary artist and the genre itself.
“Shatta Wale isn’t just about the music; he’s a man of respect and principle,” Nyame remarked. “That kneeling moment? It wasn’t just a performance. It was a deep, heartfelt tribute to Kartel, who has done so much for dancehall.”
